Author: The Telos of History

FORWARD

The Frame of Reference:  A Curios Bond Between Word and Image *

A “Storied” Structure:  De-constructing the Metaphor of Language

Language tree

A “WORLD” TREE

Now the whole Earth was of One language and of common words…

                                                                                                                                                 – Genesis 11:1

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BabelA LEXICAL EDIFICE – OR THE GROUNDWORKS OF BEING? Like a “Picture” of Space & Time – or just a Riddle Inside of a Rhyme?   

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THE ENIGMA OF UNITY

The Whole, the Part, and the ONE;  as in the “Image” of God     220px-Monad.svg

“The world is a system of inseparable differences.”          – Alan Watts
“We are One – but we are not the same…”        – U2

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A “COMMON” SENSE: PICTURING “THE ALL” OF LANGUAGE

Mirroring the Mirror: From the Hermeneutic Circle to an Axis of Meaning  

OUR POSITION IN THE WORLD  is a lot like the “situation” of a whole unto its part  – which in reference to itself – requires some kind of an observer – to tell that there’s a kind  of difference.  Whereby like a part is to its whole (were it somehow broken down as in to pieces) – as a picture of our “current” situation – this “position” of ours (now ) would equally be the place  in which we find  ourselves (at present): Wherefore by the virtue of this “image” (which is the order  of its lo-gic) – being where we are – we should someway find this “picture” to be obvious.. Therefore cur-rently speaking – as a picture of the present situation – it would also be the premise from which our story (both) departs – and (so) must finally return.. Whereby ONE could also say  (according to such a fundamental end): This is “where” we are – and that is why we’re here. One might even say (according to the LANGUAGE which we have):  Such would be the “telos” at  “our moment”.

LIKE THE PARTICLE TO THE WAVE:  It is simply because both part and whole are members  of the very same unity – that in a fundamental way – they would be somehow ONE (and the same). While it is likewise for the moment (being now ) – as chance would someway have it – it appears as if it’s “WE” who bear that testimony.  And while to some that’s plain as day – if it also were the premise for our-selves  then the simple fact of its ALL would be entirely self-evident (were it not overtly obvious)… So that by working as a whole – and “being part” (i.e. how our manifested end  achieves itself, its so-called “golden mean” per se) – it would be somehow in accordance with the fundamental dictates of such a LOGIC… So that likewise – in the end – in its “characteristic” way (such that it is pictured – by a “wording” – of our language) – such a plain (but) working principal could also equally describe (to us) the picture – that’s “our world”… Which would be also just to say:  That it is someway to portray (for us) the elemental nature – of the structure of correspon-dence – which in-turn  describes our universe; and in some fundamental logic of its own  (which is its LANGUAGE) – that would be the role of “human being”.

One might even say – its “common” thread …    

 

Continue on to Chapter ONE: “THE SPECTACLE OF THE WORLD”

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Map_of_Jericho_in_14c_Farhi_Bible_by_Elisha_ben_Avraham_Crescas Depiction of the Wall of Jericho, Farhi Bible c. 1366

 

* Refer to the short video “The Treachery of Images” 

 

         

                   

Chapter 6: THE SLANG OF AGES

Ainsoph,  this upright One,  with that noughty besighed him zeroine…  To see in his horrorscup he is mehrkurious than saltz of sulphur.
– James Joyce,  Finnegan’s Wake  (261.23-26)

PREGNANT WITH A MEANING

“The medium is the message.”   – Marshall Mcluhan

In his “Le Mystère Des Cathédrales” – Fulcanelli introduces the enigmatic term “Cabala” (to be distinguished & juxtaposed with the Hebrew Kabbalah) as a way to refer to a special category in the use of common language.  Derived from the Latin root “caballus” meaning horse (as with the Spanish word caballo), Cabala  (as he describes it – however similar to the ear as Kabbalah) is an “arcane Latin term possessed of rich and vivid history”.  According to his narrative – this  Cabala should be regarded as a kind of “horseplay or Tom foolery”;  a homo-phonic form of lexical asso-nance which he calls a “parley or dalliance” – one whose very form or substance could somehow be characterized to have a ‘spirited life of its own’.  Fulcanelli goes on to write that this so-called “horseplay” (Cabala) has been known at other times and other places by other names – that to-gether as a whole – they can all be somehow characterized by a certain “inclination” towards an oblique  style and free-form play on words. He further assures that the style in which “it speaks” is clearly recognizable – if one has “eyes to see or ears to hear”; and even further still – that this  Cabala was not only just a spirited play of words, but could be equally characterized as a special form of cant or argot:  A proverbial “slang of ages”. *

As all roads lead through Rome – Fulcanelli goes on to compare (this) Cabala to (that) Kabbalah by claiming it to be the more universal of the two, placing the former firmly under the rubric of a “phonetic cipher”. And when it is at play – “acting” (on the one hand) as a hermeneutic tool, while performing  (as the other) as a common thread of elementary meaning (much in the manner of a Rosetta stone) – it comes to someway “re-present” that essential “thing” which both frames and circumscribes the fundamental unity of every form of language,  drawing upon word similarities and semantic assonances (such as homophones,  puns,  polysemes,  and tropes) while employing them as “symbolic tools for expanding the expressive reach of words”.  Being much like the free-form style of modern day hip-hop,  techniques falling under its rubric have been known at other times  (cloaked in legendary guises) through such effervescent titles as the Langue Verte  of the Hermetic alchemists,  the twilight language  of tantric Buddhism, or those fabled winged words of song,  renown of bards like Homer – or what some might call the language of the birds.

The author further goes on to write that as a hermeneutic tool,  the phonetic Cabala is a short-hand way to understand the “gist” of alchemical texts and symbols, and when combined with a study of word roots (etymology) “it can configure the mind in such a way to have an ever deep-ening and richer set of associations from which to draw, expanding the semantic space open for contemplation”. He continues the narrative by adding that this broadened expansion of the fac-ulty of language  can reverse “the ‘Babel effect’ of the confusion of the tongues,  by connecting to a level of mind (or a unity ) from which individual languages are but partial projections”.

 

“Beware of Greeks bearing gifts”   – Virgil

NOW RIDDLE THIS:

Finally – it is through the logic and example of this “horseplay” (or Tom foolery) that Fulcanelli leans deeply into the storied meme of the Trojan Horse – characterizing the timeless epic tale as a symbol (or the sign) of “a recursive pun which ‘masquerades’ itself as a veiled metaphor”… 

Which would also mean to say: That as a thing – as a “token” or the “sign” for the hidden carrier of meaning  (i.e. somehow as its object or its icon) – our “polytropic” horse delivers its semantic payload much like the rebus or a palindrome;  referring back onto itself in ways which are both oblique  as well as obvious… Much as would the notion of an “embedded” concept be some way assonant – to a thing that’s somehow “pregnant” with (a) meaning.

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Continue to Chapter 7:  DRAGON OF THE ECLIPSE

The “Monolith” – 2001: A Space Odyssey

 

* “Slang of Ages”  – refer to Walter Becker

Chap 5: The Problem with a Purpose: Teleology, Tautology, & the Anthro-pic Principal.

“Teleology is like a mistress to a biologist; he cannot live without her, but he’s unwilling to be seen with her in public.”     – J.B.S. Haldane
Discovering  something’s purpose is just like the elephant in the room – once it’s somehow noticed, there ap-pears to be no getting rid of it.    – the author                                                                                                                                                                           

MEANS TO AN END:  An Implicit Implication           

TELEOLOGY IS THE STUDY OF PURPOSIVENESS:  In classical Greek philosophy, it was an in-terpretative methodology whereby the explanation of phenomena is made sensible according to the purposes they serve – rather than their causes… Its name is derived from the two Greek words “telos” and “logos”. 

TELOS  means “end”; that for the sake of which something is done or occurs. In its most contem-porary form – telos pertains to a thing’s evident purpose, its aim, or its ultimate goal.  However, being idiomatic to ancient Greek language (and its own history of thought) – telos is an archaic term possessing a range of subtle meaning – and to classical philology, it remains a word of not-able interest and semantic conjecture.

LOGOS  is a familiar ancient term which remains seminal to the corpus of Greek thought. As a polysemic word in a field of related studies, even in antiquity, the nuance of its interpretation was itself the subject of doctrine.  From the disciplines of rhetoric,  to those of philosophy and theology – derived from the Greek lego (“I say”) – its name carried with it a gamut of meaning:  Designating “speech” – “explanation” – “reason” – and the “word”.

           Then vs. Now;  Tail vs. Head                  face-illusion                                  

A Tale of Tangled Viewpoints: The Diachrony of our Synchrony   

AS A METHOD OF APPROACH TO HUMAN KNOWLEDGE teleology has suffered setbacks at the current  time  – the tarnish on its name being somehow caused or owed to a certain kind of “implicit” modern  stigma: What many would refer to (today) as ‘intelligent design’.  Having once  been regarded for its virtue – but now in someway out of fashion – it is simply because an “aim” implies intelligence (because intelligence implies an agent) – that (now) it’s much to our chagrin (teleologically speaking,  that is): Something like an unwanted passenger (which would be some ways like the elephant in the room) – our so-called “problem” with a purpose  (that’s implicit  to any language)  has passed down hand-in-hand through time – “together” with the subject of its discipline… Which is “the reason” why nowadays  (owing to its purpose – so to speak) – that like an unseemly bedfellow – any form of teleological approach has become a slippery kind of slope  for the modern man of science. And much like any fall from grace, it was all downhill from there.                                                                                                                                                                   

                                                               As truth begets a lie,  so a lie begets its truth.   – Anon
                                                                       As above,  so below    – Hermes Trismegistus                                                       
                                                                                                                  

  THE PROBLEM HAS A PURPOSE – “CAUGHT” WITHIN      A RHETORICAL FRAME : THE TOOL MAKER’S PARADOX 

You cannot easily explain the creation of the toolmaker using the very tool they’re supposed to have invented.                                                                                                                                                                                                                                                                                                                                                                – Google Gemini
             

  A “Figure of Speech” – the “Form” of Interpretation – in a Polytropic                 Web of their Entanglement     

     “A mirror mirroring a mirror”  – Douglas Hofstadter            images-3                                   

   THE DOUBLE AXIS OF “WORD”  :   TURTLES ALL THE WAY DOWN Intelligent Design, a Double-Edged Sword, or a Form of Self-Reference?

                                        

Somehow “In the End“: Following in the Thread of a Plot-Line Towards an Infinite Regression to a Mean…       

Our Turtle is (now) in the Room:  A Nowadays “Problem” with Reverse Causality

WERE ONE TO PUT IT IN A NUTSHELL: Like a form of “double trouble” (somehow getting two for the price of one) – Teleology has become something of a problem inside a problem  for mod-ern science… Owing to its reason  (like an inconvenient sort of truth), regardless of our endeav-ors,  however hard we may try – somehow in “the end” – one can neither sidestep nor escape its certain form of predicament;  a sort of double bind  that is somehow “both at once” – a dilemma of our logic, and a logical dilemma. And being someway like a self-fulfilling prophecy (something like our chicken & the egg)  it is a problem that’s both implicit  to its “means” – as it is equally the “fated” outcome of teleology’s meted  measure and of teleology’s own “teleological implication”: Something that in one way or another (hitting close to home) we all inevitably “face”,  in-tandem with the subject of its discipline. So much so that nowadays (being consequently unable to side-step its “certain” implication) – like a line drawn in the sand – it seems  that we must CHOOSE a position (or a side) – so that one may somehow come to terms with BOTH a fundamental  truth AND  the ONE confounding fact – of its “own” unavoidable conclusion. So that whether it comes to rhetoric, to biology,  to physics, or to cosmology (whichever way it is that we might “choose”):  That when it all comes down to “frame” its question – the problem with our “aim” is simply this:  

INTELLIGENT DESIGN – OR THE “SIGN” OF OUR INTELLIGENCE?  

THE FUNDAMENTAL TRUTH:  WE CAN’T  SUBTRACT THE “AIM” OUT FROM A PURPOSE…  Such that we may think  it’s someway possible  – but it is somehow “in the end” (and by its very definition) that a purpose can neither be removed or negated from “itself” (or from anything for that matter) without it someway achieving its own “end”…  

Which would consequently lead us to that other troublesome problem… 

THE ONE CONFOUNDING FACT: WE CANNOT EVEN TRY  TO TAKE THE “AIM” OUT OF A PURPOSE –  WITHOUT IT SOMEWAY BEING “ON PURPOSE”  (which for a person of intelli-gence – by design  – could present one with something of a pickle). 

Which might prove aim-less in what follows…

AN UNAVOIDABLE CONCLUSION:  WE MAY AIM – OR WE MIGHT TRY – SO WE MAY “TIE” OURSELVES IN KNOTS – HOWEVER, IN THE END:  WE CAN’T   EXPLAIN  “THE END” WITH-OUT  A PURPOSE (as we cannot  split the logos from its telos – we cannot “part” the telos from its logos).

WHICH IF YOU’D THINK TO ASK the question – also means to say;  we can’t explain “the end” out of “the word”.  Cause as “de-signs” of an intelligence – they are always “done” with purpose.

                                                                                                                     

THE MATTER OF REASON FOR SCIENCE (a.k.a. the “logos” of its telos)

THEREFORE IN THE END – as a “matter of reason” for science (teleologically speaking, that is):  It is simply because “the one” becauses  “the other” – that any form of tele-ological approach has proved so maddeningly circular for its modern form of empiricism… And whether “by design” or not  – by appearing either way  (to “seem” as we must choose ) – the way it frames its question became the fate  of its approach – cause when we’re speaking teleologically,  the prob-lem with its mean  (i.e. the “problem of its measure”)  can be something like the argument of whether a cup is “half-empty” or “half-full” (which as every body knows – depends  on how you look at it).  And as if being in “a whole” we’re not  “a part” of  (or as if clutching to a straw or to a fig-leaf) – it was reckoned somehow in the end  – that to bal-ance out a purpose with its seeming implication would prove far too great an ask (or risk) for its own  empirical lens.  And while un-provably so, it was only a matter of time (or inevitability) that likewise (in the end), any form of teleologic thought would someday find itself excommunicated  from the church of modern science – only to be deemed (ironically) somehow outside the scope of its own modern purview… While however (and  in the end), as a famous Mark would once put it:  “Denial ain’t just a river in Egypt…”   

ERADICATING THE AGENT: TAKING THE “I” OUT OF INTELLEGENCE

                                                                             “Include me out.”     – Samuel Goldwyn               

     An Inconvenient Truth and a Convenient Solution: The Toolmaker’s Prerogative

                               “If all you have is a hammer – everything looks like a nail.”   –  Abraham Maslow

                                Hallmark of our Kind:  The Teleology of  “Teleonomy”

SO WITH A NIP HERE & A TUCK THERE (and in a sotto-vocce fashion):  Handed with both the “means” of its (own) form of logic – that’s also wedded equally  hand-in-hand  (together) with its (own) “implicit” problem  (which its telos might imply for modern science);  given all the double trouble (with a cry of hallelujah) – a once unseemly bedfellow – “once” the elephant in the room – would one day find “itself” – conveniently re-purposed  and rebranded. Whereby in a modern manner of speaking  (to the science of our times) – as the shadow of its former  “self”  (through  ruse of modern guise) – its once  familiar image – could be cleverly re-packaged – as its new im-proved (but once familiar) form… AND IT WAS somehow et voila  (just like the empiricist’s new clothes): That through a sleight of modern language – its reason’s now  re-labeled “teleonomy”.

                

THE UNMOVED MOVER  

Screen Shot 2021-03-22 at 8.47.07 AM   “Everything that is a proposition of logic has to be in some way or the other like a tautology.”                                                  – Bertrand Russel
                                                                                                                      Reason is its own purpose.    – anon

SIGN OF GOD – OR THE SIGN OF ITSELF                          

TAUTOLOGY  is yet another distinguished term having origins in ancient Greek language; as a device or tool of rhetoric its name means “repeating what’s been said”.. Made in the likeness of its own image  (being somehow true to form) a tautology is a statement or expression in which the same “thing” is said twice, but somehow differently (the one relying on the other) so that its own reflexive point  (its “axis” – so to speak) becomes the meaningful equivalence between two parallel phrases or related terms… The prefix tauto  literally means “itself”; it forms a grammat-ical contraction between the two Greek words “to” + “auto” – meaning “the self” or “the same”. Thus a to-auto-logos  (in the manner of a rebus or a palindrome) literally connotes the form, im-age, and idea of the self explanation.  Much like a truism, tautology can be understood in terms of a self-evident statement of what appears to be obvious.  However for the tautology,  what is most important for “itself” – what is most “pivotal”  – has everything to do with what’s implicit;  because what would be “implicit”,  would be (both) equally and  at once that very fact (or quality which it has or it posseses ) that by its own definition – “IS” – what it says “it” is to be…  Because it’s somehow in the end, someway describing itself… Curiously performing as its own generative principle – simply to exist as its own  very “reason” for being; which would be namely – referring to “itself” – as if  “it” – were nothing but the implicit re-iteration  of “its” own  “subject”: Cause at the end of the day –“IT”- is nothing but a frame  (that someway “pictures”); which like the “thing” we call our consciousness – it would be no-thing but a “portrait” – of the self-referring system – referring to “the frame” which is  “it’s” – ‘self’ (that is ). Such that being “what it  is” (by belonging  to itself  while being no-thing ), it so becomes  its own explanation, being nothing but the reason  behind its very own purpose:  Because it’s some “HOW” – in the end  – “nothing” and  “the story of itself”… So like a story in the logic of a mirror:  BEING “LIKE” A MIRROR (someway “this” and  “that” – while it is someway “that” but  “this”) – it would appear  to be the nature of its very own “subject” that it is structurally edified by the “point” its own recursion; cause when it’s someway looking back  (when it is someway vice-versa) – that may also “hinge” upon its prior  referenced self.  So for all its means and purpose: Like the pivot, or a fulcrum, or an axis  (or the language we call consciousness), a tautology’s raison d’etre would literally have every “thing” – to do – as  the re-presentational  “form” – of its own  descriptive function.. So being “in” and of  “itself” (created in the “likeness” of its own  image) ONE could even say:  WHAT IT IS  – “IS” – WHAT “IT” DOES.  

        SO THAT WHILE IT’S BEING WHAT IT DOES  – it so “becomes” what-ever it might do.

 

                                                           Screen Shot 2021-03-22 at 8.47.07 AM         Ehyeh asher Ehyeh     – Exodus 3:14

 

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BECAUSE AN “X” MARKS THE SPOT   ouroboros

“It is here, It is now.”   – Peter Gabriel 

TO BRING THE MATTER HOME consider what’s understood in certain academic circles as the “anthropic principal”.   With anthropos meaning “human” in Greek – the anthropic principal is a philosophical consideration stating that “observations of the universe must be compatible with the conscious sapient life that observes it”.   Adding furthermore – that “any working theory of the universe will be necessarily constrained  by the need to allow for human existence.” * In the fields of astrophysics and cosmology  –  the anthropic principal has been proffered as a logical argument to account for the emergence of human life (or of consciousness) in terms which are deemed obvious or “self-evident”…  It posits (more or less) that observers are necessary to the existence of a universe… Or put a bit more plainly:  That the “spectacle” of the world – requires an audience. Taken at face value, the anthropic principle addresses the bare necessity of things being as they are. Very simply put:  Things are the way they are – because – that’s the way they are… Through its teleological approach to the story of life in our cosmos, the Anthropic princip-le is both a truism and a tautology clearly expressed in its own oblique  terms:

                             IF LIFE WASN’T POSSIBLE  – THEN NO ONE WOULD KNOW IT.  **

 

Continue on to Chapter 6: “THE SLANG OF AGES”

 

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*  Wikipedia

** A possible solution to “the liar’s paradox”

 

 Header image:  “Relativity” by M.C. Esher                           

 

 

Chapter 4: The Rubric of Reference – A Forgotten Knowledge

“The entirety was divided lengthways into two parts, joined to one another at the centre like the letter X, and bent into a circular form, connecting them with themselves and each other…”       
Plato, Timaeus (36b)

     Sign of Life : A Riddle and a Rhyme     Greek Key

         The Crux of the Mater : Somewhere at a Crossroad

Encountering its visage, the spectacle of its sign; its beguiling form in-guise a riddle – confronted by our serpent’s spine… 

Imagin-ations once provoked (and somehow as our question’s “sign”);  we take our mental stabs at meaning – enticed to solve its reason’s rhyme…

To ponder the entangled form and “figure” out its clew.

“What” – it is ..?          And that which “appears” to be happening …

In-the-form of our incisive “crux” – where the head and its tail are in-volving.  

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 The deeper we look – the more involved one becomes.

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Screen Shot 2022-06-12 at 9.27.20 AM                                      Now the serpent was more subtle than any beast of the field…

                                                                                                                                                                                – Genesis 3:1

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Nosce Te Ipsum;  a Forgotten Knowledge (the Greek key) 

X Marks the Spot

PetragylphAn ancient sign of uncertain origin – “ouroboros” in Hellenistic Greek means “tail-eater”.  Having once been regarded as a vital (or numinous) sigil – a sign of life  per se – even to the Hermetic philosophers of late antiquity (who probably coined the term),  the circular form of the serpent’s sign was already considered timeless… Much like Chronos (“time”) of the Orphic Greeks,  El Olam (“the eternal”) of the Phoenicians, or the Hellenistic Aion (“eternity”) to name but a few, like a proverbial “ancient of days” – the serpent was considered something that was old as time itself…  Or to put it somehow mythically:  According to our ancestors – its figure is as old as our human ability to reckon “time” as such  (in reference to ourselves, that is) – which would make it the stuff of memory… Which would also mean to say – that humanly speaking  (being somehow “there” since our beginning) – any kind of reference to our serpent’s sign (being “relative” to us) would make it rather old indeed. 

A LIFE OF “IT’S OWN”:  THE SIGN THAT SIGNIFIES THE SIGNIFIER SIGNIFYING “ITSELF”

Both perennial and timeless, the sign of the ouroboros was a fitting  image for the “living form”;  as the living image – to the science of “its time” – its mercurial emblem was a universal token for the animating principle…  And as the “universal” symbol  for our consciousness – to scholars of the time – the serpent’s tail-eating form came to aptly signify the nexus… Through the riddle of its visage  (the curious construction of its elegant design), its sign could somehow “characterize” the curios relations of being to becoming  as an intimate relationship between space & time.

sp_ouro_jimmyTherefore – like its proverbial ancient ancestor – that “snake upon a pole” of old – the banner of its aegis became a fitting sign for the indeterminable totality of our conscious/unconscious continuum; that “thing” which all-together we call life… While likewise so it was – referring to one’s aware “ness” (as a living individual) – that both  a “sleep” or  “a-wake” – the sign of the ouroboros became equally a short-hand for the frame of reference  “person-ified”.   And being such that it is for both  (a repre-sentative sign for the presence of a viewer) – by being somehow “in the end” – its tail-eating form could uniquely characterize the conscious exper-ience  of mortal existence.

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NOW RIDDLE THIS   

THE CLEW TO AN ENIGMA:  WHAT WALKS ON FOUR IN THE MORNING,  TWO AT NOON,  AND THREE BY EVENING?  

As a tutelary figure (much like our picture of the Möbius) – somehow “on its face” – the rubric of the ouroboros is a self-referring  construct.  And to receive somehow its boon (the unlocking of its cipher) – something like a mirror – one must stand before its sign and be “confronted” by the semblance of its visage. Storied figure that it was – our serpent’s “tail” reads something like a re-ference to the fable of the Sphinx (whose name in Greek means “strangler”)…  And as its form is pondered (or so the story goes) the “situation” in which we find ourselves  – “looks” – something like this:  A creature’s puzzling image is posed to the viewer – as “the form of a question”…*  And while referring to the querent (so the riddle goes ) – as we interrogate “its sign” – we somehow “find” – that we are “caught” within the gaze of an imaginary  beast;  something like the hero in a maze (being some “thing” like a palindrome)… And being someway like a Theseus to our hapless young Oedipus (who somehow find them “selves”confronted  by a hybrid) – we solve the “riddle of the sign” – to gain the “clew” to its enigma…  Which would also mean  in some odd way – that “the picture it portrays” – is nothing but a “knowledge” of its “question”… 

Screen Shot 2022-06-12 at 9.27.20 AMWith its answer – for the moment  – being “man”…                      Hopi Labyrinth

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Screen Shot 2018-05-03 at 9.40.11 AM                                                                                                      (The Greek Key)

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Continue on to Chapter 5:  “The Problem with a Purpose”

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           Oedipus and the riddle of the Sphinx

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* What am I ?

Color drawing above by C.G.Jung, from the Red Book

 

Chap 3: Language & its Game of Words What is in a Name?

“Man is the measure of all things;  of things that are,  that they are,  of things that are not,  that they are not.”
– Protagoras
… and whatever man called each living creature, that was its name.
– Genesis 2:19
                                                         TO “MEAN”  – means  also to divide.   – Webster’s dictionary
                                                                    “We are all suspended in language…”   – Niels Bohr

                                                                                                                            Language tree  The Set Which Represents All Sets

      Screen Shot 2022-06-12 at 9.27.20 AM“There is no quantum world – only a quantum mechanical description.”                                                                                                                                                                                                – Niels Bohr

 

THE LANGUAGE OF A MIRROR:                                                                                      The Poly-Tropic Description of a Many-Storied Structure

 A Labyrinth of its own Metaphor : The Human “Scale”     

AS SHAKESPEARE SAID BEFORE: “All the world’s a stage”. Or as Plato tried to picture  with his story of the cave:  On the “face” of it – things are somehow more than what “appears”… Where-fore like a Holmes is to our Watson (who would be searching for a “clew”) – some of us may find that we must ask ourselves again:  What to name  this “show” that we call life..?

How shall we  describe it?

Humans after all are but a meaning making creature – perhaps its nothing but a game of words?  One might even call it:  “Rose by any other name”…  So that if you’d choose  to frame it different (were one to frame it like a drama): It’s where the play of life’s performance is “scripted” like the plot-line of a  zero-sum game – “staged” behind the curtain of an all or nothing  backdrop – and “set” before the gamut of a “limitless” realm of equivocality and equivalence… 

And “We” is its common thread.

                                                       

IN OTHER WORDS:  IT ALL ADDS UP TO NOUGHT (but for the language) …

And the devil’s in the details. *

Not this, not that…      – The Upanishads

If this, then that…         – The Buddha

“I am he as you are he as you are me and we are all together…”     – The Beatles

 The Mirror of Language:

 God_applying_compass_ancient_of_days_380x298 screen-shot-2019-10-03-at-3-03-54-pm-1570129478

              A Human Scale   scales-of-justice or the “Tongue” of a Balance?

                               A pan of merit,  a pan of liability,  and the tongue of decree deciding between them.
                                                                                                – Sefer Yetzirah  2:1

  The Squaring of a Circle as the Framing of an Axis

    The Many-Storied Structure that’s a Frame that’s Referring to Itself               An Infinite Regression to the Mean – The Very Common Thread

                                                             

IMAGINING the Hard Problem of Consciousness (picturing the “All” of Language)

                                Screen Shot 2022-06-12 at 9.27.20 AM “a mirror mirroring a mirror”   – Douglas Hofstadter

THE “FORM” of life is a communication with (in) a feedback: In -“formation” turns to language – and language re-turns  as information…  And in a “play” of this and that  (while it is playing  that orScreenshot 2024-11-03 at 10.12.33 AM  this),  something like a reflex (with its every back and forth) – further inform-ation “points” to language. Like the picture of an echo in a network of response; somewhere at a crossroad, (the) “all” of in -formation “turns” to language… And in-between (the) one and its other,  some “where” between  language and itself, like a mirror in a mirror (in a mirror) – we are but as  interlocutors in a dialogue.

    AN ENIGMA OF UNITY “WHAT” IS THE POINT

  A STRUCTURE OF UNION,  AN AXIS OF MEANING,  AND A TOWER OF BABEL

                  “Meaning is the joint product of all the evidence that is available to those who communicate.”
                                          – Dagfinn Føllesdal

 FOR INSTANCE PICTURE what it is (that I am saying ): “That” would be the point  of what we’re “doing”… So as “ONE” must somehow “be-gin”:  FIRST – imagine space & time as the arena of life’s living  stage.  Okay – got it?  Next, having this first image in (our) mind – on the one hand – consider a familiar trope like  “the human condition” – and as  the “other”  –  equate  that picture  with what (our) physical science today  might also refer to as  “the material world”…  Moving forward with this very “common” exercise (of ours) – say we were now  to pic-ture our two “figures of speech” –  and “weigh” them both  as if they were each parts of a set  which could mutually include one another?  So far so good you might imagine  (i.e. not a problem – I’d suppose)…

                                            “Who’s on first”     – Abbott & Costello

NOW if somehow you can “see” what I “mean” – let us say it’s now  because we re-cognize that each of our terms would ultimately “point” (back) to the very same “thing”… So that (the) “what” I am meaning  to say is (were it broken down to bits):  Being “figures of speech” (by belonging to a language which we share ) – they are both  our subject and  its “object” – as  the “thing” that’s framed  by consciousness (something like a whole is to its part – would be their “one”);  and as a member “plays” its part – they would somehow in the end  (by meaning one way – as  its other) always point (back) to the “who” (who’s sharing language) – being no-thing but our “what” that’s someway figured  as our “one” (that’s “meant” by  consciousness)… And if you’d reckon this is so (by having  found  that we agree) – “it” is only NOW  because (our) “this”  is someway “that” – as we’re weighing both  these pictures thru the mind’s “I”.. So if you’re seeing what I mean – maybe this time ’round try to keep it in one’s mind that in so doing  (“making” them equally  in-clusive) we (now ) CHOOSE to somehow real -ize (make in some way complementary) – or to “say” as if   we “see”: That what might seem  to be a difference (which could appear between the two), may just be somehow ONE and  the same – something like a “rose by any other name”.. Which would also mean  to say (if we were wholly in agreement), both could smell as sweet… Because accord-ing to our very own  LANGUAGE (which some might also call OUR COMMON TONGUE) “we” is the common thread:  All because we’re somehow in the end  – and a “who” is what  we  “mean”.

                                                                             “Down the Rabbit Hole…”     – Lewis Carroll

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M-74 Phantom Galaxy

                                                                “IT FROM BIT”

                                                          – John Archibald Wheeler, coiner of the term “Black Hole” Screen Shot 2022-06-12 at 9.27.20 AM

The Mirror of language that’s in amaze of its own Metaphor

 A TANGLED HEIRARCHY  – Effects Which May Precede Their Cause:  The “Form” of Interpretation; a Reflexive Bond between Word & Image

“A mechanism can at most, presuppose a mechanic.”    – Alfred North Whitehead

EX NIHILO ALIQUID (something from no-thing):  Our “WEIRDLY” Woven Yarn

AND THEN it’s somehow et voila – there you go:  And that’s  what you call IMAGINATION. And the “what” it somehow means  for us – is something just like magic – cause in a meaningful turn of a phrase – one can now equally refer to both and say something like this:  IT IS FATE that each of us find ourselves caught  in life’s circumstance. “Ending” with a birth – re-turning  as (a) death, and with every-thing  (else) stretched “in-between” – by likening fate both  to one’s predicament and the make-up of the world:  In the metric of a poetic image – man correlates the UNIVERSE.

       AN EVENT “HORIZON”                                                   

Z26.2HeraklesIt’s as if ONCE UPON A TIME – we’re “stuck” – mired in the glue  of life’s “immeasured” metaphor (caught  within its grip); that having suddenly “found” the words, we sud-denly find  our wings…  And then – it’s somehow just like presto – “appearing” as out of thin blue air  – that having suddenly found the words (as if once they were somehow “lost” then un-forgotten) we can now  say things like this:  Fate’s “circle” entwines  us – as if it were the shape of life’s mortality… And like the fibers of a rope, or the forges of a chain – strung together in a “play” of words and meaning;  as if “by fate”  – we are each encompassed  by a “form of inevitability”.  A some-thing which is “in and of” itself  – that operates upon our (own) respective lives – like the tangles of a net, the closing of a noose, or the twistings of a knot upon its “string”.

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                                 “Clotho colum retinet,  Lachesis net,  et Atropos occat.”       – Ovid             

                Greek Key copy

WE ARE ALL within the grip  of life’s curious sort of “stranglehold”…  And as it circumscribes its metes & bounds for what has, or can  be “said” – being ever in the “circle” of its tangle – it would somehow predicate the contour of fate’s constructive measure; such is the “frame” of language.  Holding the narrative of our lives within a warp and weft of its own spun-out  fabric – all at once containing us – while we are equally constrained  within a “web” of chosen words.  As life’s imag-inary form of pass-time – ONE could choose  to say: The living of its language “performs” before our eyes – as  the picture which we have…  And some would call that consciousness.

*BUT LET THE BUYER BEWARE:  Cause when we’re living in the language of its zero-sum game (where “this” may  equal “that” – because it’s we’re  the common thread) – by running like a “plot line” – the measure of our meaning  could run something like a syntax for its one and only rule.**

                                                                        Cause only NOW   it’s in reverse.

                                                       And why is that – you ask..?

BECAUSE IT’S “THEN”  (when looking back) – as if  “to come” as our surprise – that after only having  CHOSEN might we “real-ize” …

                  It’s somehow after all’s been said (or done)…

SOME “WHERE”  in the turning of a phrase:  IT’S SOME “THING”  like a blade which cuts both ways  (or somehow fate’s uncanny “twist”);  when in some funny kind of way it’s “found” – that we’ve been recompensed  (in-turn) – by an allotted measure of our own choosing…

                                                                 

                                                                          Until it is – We are … 

                                                                                                     Every single One …                            Screen Shot 2022-06-12 at 9.27.20 AM

Requited by the “tale” of our own respective end.           Ouroboros

                                                                                                                                                                                                                AS THE STORY OF OUR LIVES – or as lines from a well known script – our “play” of words has prompted an endless variety of personal responses. So much these days for the proverbial wis-dom which says THE WORLD IS WHAT WE MAKE OF IT.

                                                                                                                                                                                                                 Continue on to Chapter 4:  THE RUBRIC OF REFERENCE

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Ixion_HT_lowres Ixion Bound to the Wheel

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* Caveat Emptor

** If “this” – then that …  (with somehow all things being equal)

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Header image: Tapestry by Henry Moore;  The Three Fates: Clotho, Lachesis, & Atropos (the spinner, the allotter, & the “un-turned”)  

CHAPTER 2: THE SHOW THAT NEVER ENDS

“It is wrong to think that the task of physics is to say how nature is.  Physics concerns only what we can say about nature”     – Niels Bohr
There is nothing you can see that isn’t shown  – The Beatles

    Of the multitude of things that we can say of it,  first and foremost:  Consciousness is narrative.  In other words – it is a telling… Whereby (in the manner of speaking) one could even say – what it “is”,  is what it does – simply because without it, one would not  be able to “say” anything at all.  And as the telling  is its hallmark (being someway true to form) – as the self-referring story of a self-aware perception – it’s also nothing but a “tale” that’s someway told..  Such that likewise as “it is” – as with “being” to “becoming” –  both  are somehow true at any single time… And unless we blithely overlook it – its “truth” is (none could argue):  It is the mean of every means …  With its capacity to describe, it is the consequential “thing” by which all things can be spoken of; it is the universal arbiter of that metric we call language, the “measure” of our kind – which clothes its very nakedness in the fashion of the day – by apportioning the void in ways that we see “fit”.   

Such that while referring to “itself” (as so it’s wont to do),  what might seem so curios for “us all” (about this consciousness of ours ) – perhaps is simply this.. That as you’d take the bit of time to someway “think”:  To the mind’s eye  (which is the “image” that is conjured – by our mind) – this so-called telling of a tale  (that’s someway told) – “looks” something like a picture in a story of a journey…  In other words – as it is “pictured” in our mind’s imagin-ation  – conscious “ness”  is a storied journey… And to the mind’s “I” – being conscious – is a lot like being in a moving vehicle, with “us” as its passenger;  a panorama that’s replete with an observer in the frame, with a land-scaped horizon, within a constantly unfolding yet ever-present kind of moving  “motion picture”.

While on the other hand – as the vessel  of our consciousness, one could even say that from the mind’s eye (view) unto its own “naked” vantage (being somehow like our picture in its “mirror”):  As we travel through its landscape (while it moves  toward that “horizon”) – what is “seen” to be “the world” may in fact be little more than but its momentary  portrait. So that like a picture in a story of a journey, it would be little more than just a moment-to-moment snapshot or a shifting point (of view).  ONE that makes  its time – referring to itself (that is ).  Being “all at once” (while seeming “as it were”);  little more than a series of moving pictures – viewed from a kind of stage.

images

Were one to even further “make” the point:  By appearing to itself   in such a manneristic way – “appearing” to be a projection of its own imagin-ation  (being some “thing” like a mirror, that is);  from the mind’s eye view (to its own  peculiar vantage) – this continuum  we call consciousness  appears  to frame a snapshot of its twist and turning path.  Which somehow means it’s “framed” in such a way – as if  (it was) the telling of our story, was nothing but a portrait – of a momentary picture of its journey (which also  means – it’s only just a tale that’s someway told )… So as you’d take the bit of time we’d need to picture it:   Within the “circle” of our mind’s “imagin-ation” – it might seem somehow all at once – something like the story of a wheel upon an axis…  Such that “relatively” speaking (being always relative to itself, that is) – like a tale that is told – it is always looking outward from a certain inner point – while it’s always looking-in from some periphery…  And being “in” and of   “itself” (as a whole does  to its part) – by being “shaped” the way it is – by “appearing” to itself in such a way (like the journey of a wheel upon its axis ) – and as the “vessel” of our consciousness:  Being somehow for the moment  with a “certain point” of view,  picturing the world upon its momentary course – would be a “snapshot” of the circle  (that’s “its path”).                            

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And should you find that “bit” of time one needs to think about it  (consciousness, that is): In its kind of odd peculiar way (in a sort of “fashion” of its “own”) – it somehow paints  the picture of a “portrait” – of its journey;  a strange & curios trip. As if  (it was) we’re traveling down that “road” as through some riddle in a plot-line – chasing  our very own “tale”;  it would appear  to be “pur-suing” its very own narrative.  While doing it in such a way –  that like a “you” or “me” – it makes a reference to itself.

SO WELCOME BACK MY FRIENDS to the show that never ends...   Welcome to the Labyrinth.  

Without its ever-ending story – there is no “tail” to be told.          cropped-ouroboros11.png

 

Continue on to Chapter 3:  LANGUAGE AND ITS GAME OF WORDS

  

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    Theseus and the Minotaur, Edward Burne-Jones 1861

 

 

Chapt 1: The Spectacle of the world

“Science cannot solve the ultimate mystery of nature.  And that is because,  in the last analysis, we ourselves are part of the mystery that we are trying to solve.”

– Max Planck

“… the opposite of one profound truth may very well be another  profound truth.”

– Niels Bohr

Samsara and nirvana are One.

 – Nagarjuna

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WE ARE ALL OBSERVERS: Watchers.  On-looking participants in the spectacle we call “the world”.  In the arena of life’s day to day affair,  we pay the world our casual regard – its ubiquitous presence is taken to be a given;  habituated as we are to its comings and its goings – our world (in its manifest appearance) is a thing that most of us (most of the time) take for granted…  And perhaps this  is a part of our nature;  that “part” of the way of things which somehow characterizes the way things are.

Breaking The (Classical) Mold

But while complacent we may be (as watchers and lookers-on), as the “witness” to an omnipresent spectacle, we humans are also creatures of imagination… So riddle this: Framed within a myriad of images – couched between its correlated phenomena – as we look upon “the world” (through the window of our eyes),  do we simply find  what we “appear” to see..?   Or is it (more) that we see  – what we expect  to find..?

HI copy

  Which way does it seem to you?

Only a WHO can say;  and the question  is more than just rhetorical. When it comes right down to the “chicken or the egg” of it – perhaps it’s because we imagine  there to be no apparent context in which the two “views” can be teased apart – that when it’s down to what is seen  – there is little to distinguish the one proposition from the other.  Like the artful sleight of hand (as if “seamless” or invisible) or the rhyme of a well-timed word, bound-up in the rhythm of a tortuous riddle (as if someway we’re “entranced”) – the reflexive question challenges our assumptions by comparing the “vantage” provided by one’s view point  to the “situation” of one’s point of view – as  if to ask whether (in the end) the two views could ever be “disentangled”.

So much for objectivity…  Like being in a kind of Mexican standoff with our “selves”,  this curious circumstance of our own perceptual quandary appears to be somehow wired-in  to our experience – and therefore seemingly unavoidable…  But just like Schrödinger’s elusive cat – however unsettling this may be for us – it is only but the gist of an inexorable dilemma with profound implications for “our human situation”.

Side-stepping for the moment any of its quantum implications (or “uncertainty”),  if we take our rhetorical exercise another step further it can all come down to the sim-ple,  larger,  and more intimately  related question of whether an objective material world can exist “out there”,  independent of ourselves – before we  are in the picture to see it; a curious question indeed, but one that few of us ask given all the practical-ities… But regardless of what we might think, or however absurd it may appear, and despite all our time spent searching  for definitive answers – we will still remain be-fuddled… Why?  Because if we cast as wide a net as possible to ask that broadest of questions: Can the existence of the world be disentangled from the presence of our on-looking selves..?  – inevitably we will find – and must eventually admit – that we cannot escape  the “semantics” of our own predicament. Namely, that the existence of a questioner is pre-supposed  by “the question” – and that “a who” is out of neces-sity – caught  – within the rhetorical frame.

It is as if the querent (our “who” that is in  question) – the hypostatized person that’s implied  by our subject’s object (or conversely speaking by our object’s subject) – our hypothetical  “self” (so to speak) – were somehow at the fulcrum of a peculiar sort of crossroad or rhetorical chiasm; suspended & juxtaposed, or someway superposed at a point midway between mirrored or opposing views  (to have someway become “lo-calized”). Looked at systemically or taken as a whole – like an unusual series of twists and turns in an odd sort of maze  – in the end  – one can not definitively say if it is the world or the mind that perceives it which comes first.*         

It’s like an ordinary palindrome – or simply not  seeing the forest for the tree… In the arena of life’s day to day affair – “the question of our consciousness” – would appear  to be wedded to a habit for complacency.

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    Continue on to Chapter Two:     THE SHOW THAT NEVER ENDS

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29568664b8b863d9c15c89228462be28                                                                       The Kerykeion

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* Refer to the article:  Does the universe exist if we’re not looking?

Header image: “Hand with Sphere” by M.C. Esher (Self Portrait)